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John Coltrane - Ascension (1965) [EAC-FLAC]

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Music : Jazz : Lossless
                  
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John Coltrane - Ascension (1965)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 617 Mb
Full Artwork
@ 600 dpi (tiff) -> 87 Mb



The album ASCENSION played a profoundly important role in John
Coltrane's final period. Recorded in June 1965, almost exactly two years before his death, this session marks
Coltrane's final stepping off point into free jazz. The album also marks a division for Coltrane's fans, as
there are some that applaud his final escape from jazz tradition while others simply couldn't follow him into the
great unknown.

One way or another, ASCENSION refuses to be ignored. A stunning list of colleagues joins the
legendary saxophonist on his final quest. Besides his famed regular quartet, avant-garde saxophonists Pharaoh Sanders
and Archie Shepp, extra bassist Art Davis, and even trumpet star Freddie Hubbard, among others, produce an intense sonic
assault. If you're sensitive to dissonant noise and uncontrolled barrages of sound, ASCENSION will offer you no
comfort. However, the unbridled emotional onslaught that Coltrane unleashes here dwarfs any other artist's entire
output. Love it or hate it, this is one disc that's sure to stay on your mind long after its din has faded.

Ascension is the single recording that placed John Coltrane firmly into the avant-garde. Whereas, prior to 1965,
Coltrane could be heard playing in an avant vein with stretched-out solos, atonality, and a seemingly free design to the
beat, Ascension throws most rules right out the window with complete freedom from the groove and strikingly abrasive
sheets of horn interplay. Recorded with three tenors (Trane, Pharoah Sanders, Archie Shepp), two altos (Marion Brown,
John Tchicai), two trumpet players (Freddie Hubbard, Dewey Johnson), two bassists (Art Davis, Jimmy Garrison), the lone
McCoy Tyner on piano, and Elvin Jones on the drums, this large group is both relentless and soulful simultaneously.
While there are segments where the ensemble plays discordant and abrasive skronks, these are usually segues into
intriguing blues-based solos from each member. 

The comparison that is immediately realized is Ornette
Coleman's Free Jazz of five years previous. However, it should be known that Ascension certainly carries its own
weight, and in a strange sense makes Coleman's foray a passive adventure – mostly due to an updated sonic
quality (à la Bob Thiele) and also Trane's greater sense of passionate spiritualism. Timed at around 40 minutes,
this can be a difficult listen at first, but with a patient ear and an appreciation for the finer things in life, the
reward is a greater understanding of the personal path that the artist was on at that particular time in his
development. 

Coltrane was always on an unceasing mission for personal expansion through the mouthpiece of
his horn, but by the time of this recording he had begun to reach the level of "elder statesman" and to find
other voices (Shepp, Sanders, and Marion Brown) to propel and expand his sounds and emotions. Therefore, Ascension
reflects more of an event rather than just a jazz record and should be sought out by either experienced jazz
appreciators or other open-minded listeners, but not by unsuspecting bystanders.


--------------------------------------------------------------------------------
Tracklist:
--------------------------------------------------------------------------------

01. Ascension (Edition
ll)
02. Ascension (Edition l)

*2009 Impulse! / Verve / UMG | 0602517920248


Personnel:

John Coltrane (tenor saxophone)
John Tchicai, Marion Brown (alto saxophone)
Archie Shepp, Pharoah
Sanders (tenor saxophone)
Freddie Hubbard, Dewey Johnson (trumpet)
McCoy Tyner (piano)
Art Davis, Jimmy
Garrison (bass)
Elvin Jones (drums).



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